In Some Far Away Land – IAB25-2

In Some Far Away Land – IAB25-2 (2025)
Multi-channel video installation, mobile phones of varying sizes, looping digital video, sound

In Some Far Away Land explores how information is filtered, encrypted, and consumed in a time where truth feels both hidden and overwhelming. The work looks at how systems of control—both past and present—shape how we understand conflict. Drawing a line from World War II-era cryptography to today’s algorithm-driven media platforms, the project raises questions around personal agency, ethical spectatorship, and the emotional toll of constant exposure to global crises.

IAB25-2, one part of the work, immerses viewers in a rapid stream of scrolling social media posts, reflecting the numbing effects of endless news feeds. The title is taken from a content label in the IAB (Interactive Advertising Bureau) Tech Lab’s taxonomy, which categorises ‘International News’—a reference to how platforms prioritise certain types of global content, that relate to war and conflict. This work examines how these platforms contribute to desensitisation by turning real events into background noise.

In Some Far Away Land is informed by both archival research of how algorithms have played a part in controlling information and present-day media observation. It aims to reflect how the digital age alters our understanding of reality.

Installation View at Battlebox Singapore, Fort Canning Hill (2025) Image credit: Finbarr Fallon

BIOS: Living NFTs

BIOS: Living NFTs (2022)
Generative Collection – Variegated Digital Plants
3D modelling, Machine Learning/AI, Dynamic NFT

BIOS: Living NFTS is a generative NFT art project in collaboration with Jake Tan that consists of 1024 unique plants grow over 6 months.

The project started as a residency at HOTHOUSE and is inspired by variegated plant collecting, the blockchain, and its impacts on digital assets.

These dynamic NFTs take the form of variegated plants produced from a combination of 3D modeling, machine learning algorithms, and procedural programming to generate unique digital plants.

At the heart of BIOSNFT, the technology behind how the digital plants grow is a window into a possible future of dynamic NFTs. With a six-month growth cycle, the digital plants live and grow similarly to physical plants, with the integration of a time and date data API (Application Programming Interface).

https://www.biosnft.io/
https://opensea.io/collection/bios-living-nfts
https://api.biosnft.io/bios/200

BIOS: Living NFTs at National Design Centre Singapore, 2022

Plant Boxes (2022)
Anamorphic LED mixed media work, featuring a rotating BIOSNFT plant

Juxtaposition of real plants and digital plants

AI generated leaf textures

The case for advertising

The case for advertising (2022)
20mins
Single Channel Video

Would you like some shoes with that?

The case for advertising recounts this daily act of recording and checking of Covid-19 statistics. Acting as a documentation of what was happening to the world through numbers and advertisements, this artwork consists of screenshots taken over the course of 3 months. Compiled into the format of a moving image, this artwork highlights the dichotomy presented between online marketing advertisements and the seriousness of global events occurring simultaneously, elsewhere in the world.